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Writing young adult fiction for dummies
\"Learn to develop a writing style that appeals to young readers ; turn your ideas into a compelling manuscript through writing exercises ; submit your novel to young adult publishers\"--Cover.
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Writing youth
Writing Youth: Young Adult Fiction as Literacy Sponsorship studies young adult (YA) fiction that analyzes corporate sponsorship of media literacy practices in and through YA fiction. It shows how YA novels model for young people ways to manage the various media tools that surround them.
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When stars go out
The dawning of a new order casts a shadow across a whole nation. GRO, the government's Great Reorganization Operation, is turning American society upside down as it seizes teenagers and throws them into compounds across the country. Behind the speeches and programs, a darkness stirs. Reed can feel it. Taken from his home and dropped into the compound of \"The Hill\" in central Virginia, he can't escape the feeling that evil hangs over him night and day, watching his every move. Something is preying upon the teenagers of the Hill. An entire city lies paralyzed under the iron fist of a shadowy government agency and its cruel police force. Spies lurk among the crowds of frightened teens, ready to pounce at the first sign of dissidence. Fear keeps a choking hold on every soul--almost.
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Freud in Oz
Children’s literature has spent decades on the psychiatrist’s couch, submitting to psychoanalysis by scores of scholars and popular writers. Freud in Oz suggests that psychoanalysts owe a significant and largely unacknowledged debt to books ostensibly written for children. Kenneth B. Kidd argues that children’s literature and psychoanalysis have influenced and interacted with each other since Freud published his first case studies.
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The ruinous sweep
On the night Donovan Turner is thrown out of a car on a highway in the middle of nowhere, he can barely remember his own name, let alone the past twenty-four hours. Where is he? Where is his girlfriend, Bee? In an attempt to flag down the next passing car, he startles the driver, causing a fatal accident. With sirens in the distance and the lingering feeling that he's running from something--or someone--Donovan grabs the dead driver's briefcase and flees. Meanwhile, Bee is fighting for Dono's life every bit as much as he is. But when the police show up and hint that he is the prime suspect in a murder, Bee is determined to put together the pieces of what happened and clear his name.
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Contemporary Dystopian Fiction for Young Adults
Winner of the Children’s Literature Association Edited Book Award
From the jaded, wired teenagers of M.T. Anderson's Feed to the spirited young rebels of Suzanne Collins’ The Hunger Games trilogy, the protagonists of Young Adult dystopias are introducing a new generation of readers to the pleasures and challenges of dystopian imaginings. As the dark universes of YA dystopias continue to flood the market,Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers offers a critical evaluation of the literary and political potentials of this widespread publishing phenomenon. With its capacity to frighten and warn, dystopian writing powerfully engages with our pressing global concerns: liberty and self-determination, environmental destruction and looming catastrophe, questions of identity and justice, and the increasingly fragile boundaries between technology and the self. When directed at young readers, these dystopian warnings are distilled into exciting adventures with gripping plots and accessible messages that may have the potential to motivate a generation on the cusp of adulthood. This collection enacts a lively debate about the goals and efficacy of YA dystopias, with three major areas of contention: do these texts reinscribe an old didacticism or offer an exciting new frontier in children's literature? Do their political critiques represent conservative or radical ideologies? And finally, are these novels high-minded attempts to educate the young or simply bids to cash in on a formula for commercial success? This collection represents a prismatic and evolving understanding of the genre, illuminating its relevance to children's literature and our wider culture.
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The guy, the girl, the artist and his ex
As Guy, a feckless high school senior, plans the party of the year, Rafi worries about her mother, who is grieving over the death of Rafi's baby brother, while Rafi's uncle hatches a plan to steal one of the most famous paintings in the world.
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Melancholia and Maturation
“Coming of age” in children’s fiction often means achieving maturity through the experience of trauma. In classics ranging from Old Yeller to The Outsiders, a narrative of psychological pain defies expectations of childhood as a time of innocence and play. In this provocative new book, Eric L. Tribunella explores why trauma, especially the loss of a loved object, occurs in some of the most popular and critically acclaimed twentieth-century American fiction for children. Tribunella draws on queer theory and feminist revisions of Freud’s notion of melancholia, which is described as a fundamental response to loss, arguing that the low-grade symptoms of melancholia are in fact what characterize the mature, sober, and responsible American adult. Melancholia and Maturation looks at how this effect is achieved in a society that purports to protect youngsters from every possible source of danger, thus requiring melancholia to be induced artificially. Each of the book’s five chapters focuses on a different kind of lost object sacrificed so as to propel the child toward a distinctively gendered, sexual, ethical, and national adulthood—from same-sex friends to the companionship of boy-and-his-dog stories, from the lost ideals of historical fiction about the American Revolution to the children killed or traumatized in Holocaust novels. The author examines a wide spectrum of works—including Jack London’s dog tales, the contemporary “realistic” novels of S. E. Hinton, and Newbery Medal winners like Johnny Tremain and Bridge to Terabithia. Tribunella raises fundamental questions about the value of children’s literature as a whole and provides context for understanding why certain books become required reading for youth. Eric L. Tribunella is assistant professor of English at the University of Southern Mississippi. His articles have been published in Children’s Literature Association Quarterly, Children’s Literature in Education, The Lion and the Unicorn: A Critical Journal of Children’s Literature, and Children’s Literature.  
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Young Adult Gothic Fiction
This collection examines young adult Gothic fiction to demonstrate how the contemporary resurgence of the Gothic in texts for young people signals anxieties about, and hopes for, young people in the twenty-first century.
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